On the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura.
The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes.
“Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling, editors)
OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)
with comments on the arias
-information on the composer, the librettist, the work, the range and of versions or casting
-a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot
-an evaluation from the singer’s point of view
with “phonetic assistant” and “text assistant”
-aria texts in the original language spoken by native speakers as an audio file (mp3)
-aria texts in German and English translations as a text file (pdf)
available for download
01. Wolfgang Amadeuts Mozart, Konstanze! Dich wiederzusehen / O wie ängstlich (Ottavio – Don Giovanni)
02. Wolfgang Amadeus Mozart, Dalla sua pace (Ottavio – Don Giovanni)
03. Wolfgang Amadeus Mozart, Il mio tesoro intanto (Ottavio – Don Giovanni)
04. Wolfgang Amadeus Mozart, Un’aura amorosa (Ferrando – Così fan tutte)
05. Wolfgang Amadeus Mozart, Dies Bildnis ist bezaubernd schön (Tamino – Die Zauberflöte)
06. Carl Maria von Weber, Was ich dann tu' (Gaston – Die drei Pintos)
07. Gioachino Rossini, Languir per una bella (Lindoro – L'italiana in Algeri)
08. Gioachino Rossini, Ecco ridente in cielo (Conte – Il barbiere di Siviglia)
09. Gaetano Donizetti, Una furtiva lagrima (Nemorino – L'elisir d’amore)
10. Gaetano Donizetti, Ah ! mes amis (Tonio – La fille du régiment)
11. Gaetano Donizetti, Povero Ernesto! / Cercherò lontana terra (Ernesto – Don Pasquale)
12. Gaetano Donizetti, Favorita del Re! / Spirto gentil (Fernando – La favorita)
13. Vincenzo Bellini, A te, o cara (Arturo – I puritani)
14. Otto Nicolai, Horch, die Lerche singt im Hain (Fenton – Die lustigen Weiber von Windsor)
15. Friedrich von Flotow, Ach! so fromm (Lyonel – Martha)
16. Giuseppe Verdi, Questa o quella (Duca – Rigoletto)
17. Giuseppe Verdi, La donna è mobile (Duca – Rigoletto)
18. Giuseppe Verdi, Lunge da lei / De’ miei bollenti spiriti (Alfredo – La traviata)
19. Giuseppe Verdi, Dal labbro il canto estasïato vola (Fenton – Falstaff)
20. Charles Gounod, Quel trouble inconnu / Salut ! demeure chaste et pure (Faust – Faust)
21. Édouard Lalo, Puisqu'on ne peut fléchir / Vainement, ma bien aimée (Mylio – Le Roi d'Ys)
22. Léo Delibes, Prendre le dessin / Fantaisie aux divins mensonges (Gérald – Lakmé)
23. Georges Bizet, Je crois entendre encore (Nadir – Les pêcheurs de perles)
24. Pjotr Iljitsch Tschaikowsky, Kuda, kuda (Lenskij – Evgenij Onegin)
25. Jules Massenet, Instant charmant / En fermant les yeux (Des Grieux – Manon)
26. Benjamin Godard, Cachés dans cet asil / Oh, ne t’éveille pas (Jocelyn – Jocelyn)
27. Giacomo Puccini, Addio fiorito asil (Pinkerton – Madama Butterfly)
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