Mein Anliegen ist es, Studierenden einen modernen, systematisch aufgebauten, gut informierten Vokalcoach an die Hand zu geben, der den Anforderungen der heutigen Theaterpraxis entspricht. Endlich ein stimmiges Repertoire und eine schlüssige Bündelung der Vorsingearien für jede Stimmgattung.“ (Peter Anton Ling) OperAria ist der ideale „Vokalcoach“ für alle Stimmcharaktere. Die Bände richten sich an alle Sängerinnen und Sänger und sind vor allem für die Ausbildung und das Vorsingen konzipiert. Zudem liefern sie durch die sorgfältige Auswahl wertvolle Anregungen für Opern-Recitals. Repertoiresammlung nach stimmlichen Kriterien (Umfang, Tessitura, Spezifika, Arientyp) unter Berücksichtigung musikalischer und theaterpraktischer Aspekte (Stilistik, Epoche, Rollentyp, nationale Herkunft) mit Kommentaren zu den Arien Informationen zu Komponist, Librettist, Werk, Tonumfang und Fassungs- oder Besetzungsfrage Inhaltsangabe zur dramatischen Grundkonstellation im Handlungskontext der Oper Einschätzung aus sängerischer Sicht und einer CD: „Phonetik-Assistent“ – Arientexte von Muttersprachlern gesprochen als Audiodatei (mp3) Arientexte in deutscher und englischer Übersetzung als Textdatei (pdf)
1. Christoph Willibald Gluck
Je t’ai donné la mort /Dieux! qui me poursuivez(Oreste – Iphigénie en Tauride)
2. Wolfgang Amadeus Mozart
Nur mutig, mein Herze (Allazim – Zaide)
3. Wolfgang Amadeus Mozart
Hai gia vinta la causa / Vedrò mentre io sospiro
(Il Conte Almaviva – Le nozze di Figaro)
4. Wolfgang Amadeus Mozart
Rivolgete a lui lo sguardo (Guglielmo – Così fan tutte)
5. Wolfgang Amadeus Mozart
Fin ch’ han dal vino (Don Giovanni – Don Giovanni)
6. Wolfgang Amadeus Mozart
Deh vieni alla finestra (Don Giovanni – Don Giovanni)
7. Wolfgang Amadeus Mozart
Ein Mädchen oder Weibchen (Papageno – Die Zauberflöte)
8. Conradin Kreutzer
Ein Schütz’ bin ich (Jäger – Das Nachtlager in Granada)
9. Gioachino Rossini - Largo al factotum (Figaro – Il barbiere di Siviglia)
10. Gioachino Rossini - Sois immobile (Tell – Guillaume Tell)
11. Gaetano Donizetti - Bella siccome un angelo (Dottor Malatesta – Don Pasquale)
12. Albert Lortzing - Sonst spielt’ ich mit Zepter, mit Krone und Stern (Zar Peter – Zar und Zimmermann)
13. Albert Lortzing - Nicht Reichtum macht das Leben schön (Hans Sachs – Hans Sachs)
14. Albert Lortzing - Wie freundlich strahlt/Heiterkeit und Fröhlichkeit (Graf von Eberbach – Der Wildschütz)
15. Ambroise Thomas - Ô vin, dissipe la tristesse (Hamlet – Hamlet)
16. Richard Wagner - Blick’ ich umher (Wolfram von Eschenbach – Tannhäuser)
17. Richard Wagner
Wie Todesahnung / O du mein holder Abendstern (Wolfram von Eschenbach – Tannhäuser)
18. Charles Gounod - Ô sainte médaille / Avant de quitter ces lieux (Valentin – Faust)
19. Charles Gounod
Mab, la reine des mensonges (Mercutio – Roméo et Juliette)
20. Camille Saint-Saëns Qui donc commande (Henry – Henry VIII)
21. Georges Bizet - L’orage s’est calmé / Ô Nadir (Zurga – Les pêcheurs de perles)
22. Pjotr Iljitsch Tschaikowsky - Ja vas ljublju (Jeletzki – Pique Dame)
23. Jules Massenet
Aux troupes du Sultan / Promesse de mon avenir (Scindia – Le Roi de Lahore)
24. Ruggero Leoncavallo - E fra quest’ansie / Decidi il mio destin (Silvio – I Pagliacci)
25. Giacomo Puccini - Questo amor, vergogna mia (Frank – Edgar)
26. Richard Strauss - Lieben, Hassen, Hoffen, Zagen (Harlekin – Ariadne auf Naxos)
27. Erich Wolfgang Korngold - Mein Sehnen, mein Wähnen (Fritz – Die tote Stadt)
28. Viktor Ullmann - Von allem, was geschieht (Der Kaiser – Der Kaiser von Atlantis)
29. Benjamin Britten - Look! Through the port comes the moonshine astray! (Billy Budd – Billy Budd)
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