In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled “Geistliche Chor-Music” (Sacred Choir Music). Here, the term “Chor” (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally.
This practice, common in Schütz’s time, has been incorporated into Bärenreiter’s new publication. The edition includes the twelve five-part motets at original pitch with basso continuo. In addition, instrumental parts for string and wind instruments can be purchased. These parts, which include the text, serve to support and complement the choral sound “colla parte”.
Of great significance is the detailed foreword on performance practice by Manfred Cordes.
- Reflects the latest in musicological research based on the “New Schütz Edition”
- Includes a detailed foreword (Eng/Ger) on performance practice by a Schütz expert
Manfred Cordes is a specialist for the music of the 16th and early 17th centuries. He works as professor for music theory, counterpoint and ensemble and is also rector of the “Hochschule für Künste Bremen”. He performs internationally as the director of the ensemble “Weser-Renaissance Bremen”.
Contents
Es wird das Zepter von Juda nichts entwendet werden SWV 369 Prima pars
Er wird sein Kleid in Wein waschen SWV 370 Secunda pars
Es ist erschienen die heilsame Gnade Gottes SWV 371
Verleih uns Frieden genädiglich SWV 372 Prima pars
Gib unsern Fürsten und aller Obrigkeit SWV 373 Secunda pars
Unser keiner lebet ihm selber SWV 374
Viel werden kommen von Morgen und von Abend SWV 375
Sammlet zuvor das Unkraut SWV 376
Herr, auf dich traue ich SWV 377
Die mit Tränen säen, werden mit Freuden ernten SWV 378
So fahr ich hin zu Jesu Christ SWV 379
Also hat Gott die Welt geliebt SWV 380
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